Mediterranean

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Mediterranean myths

Even in the ancient world, the lands surrounding the Mediterranean Sea were never politically or culturally static. The crosscurrents of civilization moved across the area as empires rose and fell. One of the most pervasive and unifying cultural climates was that imposed on the eastern Mediterranean by the conquests of Alexander the Great in the 4th century BC. These resulted in the spread of Greek culture throughout Asia Minor, the Middle East, and Egypt. Three centuries later came the dominance of Rome that unified the whole Mediterranean world. This in turn was followed by the rise of Christianity and its spread to both East and West in the old Roman Empire. The Mediterranean region, therefore, has always been an area rich in a complex of cultural heritages. (See also Greece, Ancient; Greek and Roman Art; Roman Empire.)

This richness included the development of high skills in the arts?skills that penetrated even to people living in isolated villages. Contacts were, of course, facilitated by trade along the extensive coastlines; yet the whole region industrialized very slowly, and folk arts have continued to thrive to the present. In the whole region, only northern Italy and parts of Spain can be considered to be advanced industrial societies.

It is not surprising that the arts of this region show much variety and skill. Many folk artists were capable of expert sculpture, realistic painting, fine metalwork, and other difficult techniques. Sicily was noted for its spectacular painted and carved carts, puppets, and pottery. Sardinians made gold ornaments, textiles, and costumes. The Abruzzi region of Italy was famous for its lace, silver filigree, and weaving. In southern Spain the influence of Islam showed itself in ivory carving and in arabesque tracery of ironwork. In northern Spain painted and glazed tiles, finely carved furniture, and textiles of a distinctly Spanish character emerged.

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